Archive for the ‘sculpture’ Category

When the Moon Came to Earth – High School Class

Monday, October 15th, 2012

In late September, I brought a combined group of 18 sculpture and “green art” students from Woodstock High School to my installation “When the Moon Came to Earth” at King Farm. I taught them about what artists are looking to express in sculpture and how the landscape and other sculptures come into play as well. I also spoke about my creative process.

The “green art” students came back several times  to eventually create their own installations, which I returned to see with them present.

Thanks to friend and artist, Blythe Ousterman, for the above photos.

When the Moon Came to Earth – Installed

Tuesday, August 21st, 2012

When the Moon Came to Earth, detail

This is my latest piece “When the Moon Came to Earth.” Each disc is made of saplings and measures 10′ in diameter.  It’s installed at King Farm, which is an extension of Sculpture Fest.

The opening is at King Farm on Saturday, September 1st from 4-7pm.  The theme this year is “Poetry on the Land.”  At 5:15pm, Bonnie Gale will do a presentation on “Living Willow Sculpture” at the Prosper Road location. Bring your own picnic.  Then, Barnarts will present the play “Eleemoysynary” in the Barn at King Farm at 7pm. Buy tickets for the performance here. More information on Sculpture Fest is available here.

When the Moon Came to Earth – The Process

Monday, June 18th, 2012

Friend and photographer, Carla Kimball, documented progress I made in creating When the Moon Came to Earth, a piece for Woodstock, Vermont’s Sculpture Fest. Click to see her first installment and second installment of photographs.

Hands on Pianos – Tree Songs

Tuesday, June 5th, 2012

Tree Songs, close-up

Tree Songs, collage

These images are from the “Hands on Pianos” project I am currently participating in. This piece is called “Tree Songs.” It’s comprised of saplings I painted white and screwed to a piano I painted black. By attaching saplings to the piano, it appears to have the forest reclaim it, or perhaps people will see the piano as growing among a bunch of saplings. There is a beautiful rhythm to a grove of saplings clustered in a forest. The repetition of these vertical elements should compliment the black and white keys of the piano.

The piece will be installed for the month of July in an outside, public space somewhere in Vermont and New Hampshire’s Upper Valley. This project is part of Dartmouth College’s celebration of the Hopkins Center for the Arts’ 50th anniversary. Mine is one of 50 pianos that have been altered by artists that will installed in the region.  See more images of the creative process on the official Hands on Pianos website. And find pianos using this map of all installations.  I’ll let you know when I learn where my piece will be installed.

Systems Thinking through Art in Nature

Friday, April 13th, 2012

Art in nature piece by Dominic Stucker

By guest writer, Dominic Stucker, Program Manager at Sustainability Leaders Network. Based on participation in several of my art in nature workshops, Dominic offers these reflections.

Systems thinking and creativity are essential for bringing about the transition to sustainability. Systems thinking helps us assemble diverse stakeholders to better understand the integrated economic, social, and environmental systems we seek to change. Creativity and art help us gain clarity in vision and tap into the breakthrough thinking necessary for innovating a new reality, a new relationship between people and planet. Fortunately, these leadership skills are mutually reinforcing, especially through making art in nature.

Immersing ourselves in nature, sitting quietly, eyes opened, eyes closed, we can hone our skills of observation, noticing patterns and processes that have evolved over millennia. Using all our senses, we can experience and learn from nature. Perhaps we see the streams, brooks, and river in a basin, noticing nature’s nested hierarchies. Or we reflect on the larger water cycle, a process that, instead of linear and polluting, is cyclical and cleansing. Gazing skyward from a soft bed of pine needles, we can observe the forest’s resilience in flexibility, trees swaying in the wind. Or we smell the pungent soil, part of annual cycle that returns sustenance to the trees’ roots. Perhaps we see the genius in a flower, tracking the sun and folding its petals at dusk; or in the capacity of a cactus to store water; or in the design of a feather. We can learn from and co-create with these natural systems.

I have had the privilege and joy of participating in several Art of Sustainability sessions with Vermont artist and educator, Jay Mead. Two that stand out were along the Housatonic River in rural Connecticut and along a wild part of the Connecticut River in Vermont. Jay invites participants to see nature anew through quiet observation, sensing, and play. The invitation includes being fully present, setting aside transient to do lists and deep-seated preconceptions about how the world works. Participants are asked to start from a place of unknowing – playful for some, meditative for others – being open for deeper wisdom to emerge.

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