“Suspended Earth:” My Contribution to SculptureFest 2016

September 15th, 2016

suspended-earth-2

This installation – which I installed for the “Grounding” SculptureFest 2016 at King Farm in Woodstock, Vermont – continues a body of work that concerns multiple elements creating a larger form. I was curious about finding a way to float clay in the black box of what I like to call the zen pagoda. I like the idea of taking something earthbound and floating it in the air. In creating this piece I was also inspired by images of asteroid belts. This clay has experienced many uses: other installations, as casting form for sculptures, masks and giant puppets. It is unfired and will be recycled eventually. The balls are hanging on 40 lb test monofilament.

suspended-earth-3

As I worked on this piece the process of applying these 200 clay balls was additionally a type of meditation. I could listen to the wind blow, people talking, teams practicing down at the high school, the town lunch horn blow, grass cutting, art being created, crickets chirping and the birds singing. For four days this was my grounding to this place, my way of being present to each moment. It is no secret that being aware of these moments is the root of happiness.

suspended-earth-with-dancers-1

During the 3 September opening, it was a pleasure to have dancers Tracy Penfield and Chelsea Palin choose to move through and with my piece.

For several years now I have enjoyed the space and freedom offered by the magical space that is King Farm. This place is a fantastic art lab, where artists can experiment and float new ideas. It is a place where time has worked its special entropy into these buildings and land. I feel so lucky to be a part of this fabric that is the evolving history of King Farm.

“Grounding” SculptureFest 2016: Co-Curated by Jay Mead

September 1st, 2016

king-farm-poster

Welcome to “Grounding,” Co-Curated by Edythe Wright and Jay Mead 

It has been such an honor to pull these 20 artists together for this SculptureFest 2016 show we are calling “Grounding.” As you will see, King Farm, in Woodstock, Vermont – with its forests, pastures, pond, topography and classic barn buildings and sheds – is a wonderful tableau for installations and sculpture.

Thanks to the Vermont Land Trust for allowing us to use this unique place to show fresh creations. In fact, many installations were created in situ and some are still curing! Special appreciations are also very much due to Peter and Charlet Davenport for all the hard work they have put into making this such a special venue for so many years.

So what is “Grounding?” We hoped this title would be open enough to invite a wide variety of work and that is what we have here. In this show, you will find many forms of “Grounding;” it can be interpreted on a personal level as in “What grounds me?” Grounding can also be literally taken as connecting to the ground or even to run aground. Then there is the common theme of grounding as in relating to this place, home, nature, the earth, relationships, or even the greater cosmos. We hope this work engages you in the greater question of “Where do you find your grounding?”

Happy trails!

Images of the installations can be viewed on the SculptureFest website by clicking on the respective artists’ name.

Building Hope and Community in the Upper Valley

August 20th, 2016

cover-volunteers

In June, I started working full-time as a Job Crew Leader for a non-profit called COVER. Based in White River Junction, Vermont, COVER specializes in home repair and weatherization for people in need who live in the Upper Connecticut River Valley of New Hampshire and Vermont. COVER relies on the generosity of individuals, foundations, local businesses, and the proceeds from its “ReCOVER Store” to fund home repairs and weatherization. The mission of COVER is best summed up by “providing hope and community” to the people of the Upper Valley.

I have found this work to be highly rewarding in that I have to apply several skill sets: teaching, construction knowledge, leadership, and the ability to hear people’s concerns. In a time when there is so much negative hyperbole directed toward people in poverty and the safety nets of our government are under attack, it feels good to be part of a positive solution. Learn more about COVER.

“Outdoor Sculpture” Elective at The Sharon Academy

June 25th, 2016

In an Outdoor Sculpture elective, which I led at The Sharon Academy for 10 students from late March to early June, we focused on two very different group projects utilizing saplings. For the first two classes, students focused on the gathering and cutting of the saplings. They then peeled the bark from the saplings. We selected the most bendy and supple of this material and, utilizing cedar posts as anchors, we began the construction of two shade structures, pictured here:

arbor-1

 

arbor-2

These half domes or “apses” are located on the soccer field end of the volleyball zone. They will form a trellis system for scarlet runner beans and 2 northern kiwi plants. Each structure is 10’ tall, 16’ in length with a width/depth of 10’.

For the second project, we utilized the thicker non-bendable pieces of the saplings along with sapling stakes from a previous art project. After the bark was stripped off, I cut this material into lengths varying from a foot to five and a half feet. We ended up with approximately 500 stakes that were then painted white. These stakes were then driven into the ground in a grid-like formation so that the stakes went from 6” to 5 feet above the ground, pictured here:

lawn-sculpture-1

 

lawn-sculpture-2

From a distance, this white piece appears as a curvilinear form. This was a collaborative team effort requiring that all students put in a majority of class time on material prep. I trust the students will come to value this unique experience. The installation is beside the entrance driveway to the school.

Responding to Climate Change at Middlebury College: “Hot and Cold” and “Hope Wheels” for the 50th Anniversary Celebration of the oldest Environmental Studies Program in the United States

October 15th, 2015

It was an honor to be invited to assist in the celebration of Middlebury College’s 50th anniversary of its Environmental Studies Program by doing the following two projects on October 1st and 2nd. It is the oldest Environmental Studies Program of any college in this country.

Hot and Cold

 

“Hot and Cold” is the latest iteration of a body of work that is responding to climate change. How is our civilization dealing with climate change? Perhaps “Hot and Cold” is a good way of thinking about it. Making climate change a political issue and then denying that it is currently being caused by our actions is one way some people are choosing to live with this question. Conversely many others are starting to reconsider everything, from the way we grow food, to where we live, to national security and indeed all systems that sustain life as we know it. It is with this latter train of thought that I am aligned and out of which this project grows.

Here are some of the questions this piece is meditating on: Do we adapt to the changes? Will we mitigate by taking radical actions and succeed in averting a total disaster? How attached are we to the status quo? Can we live without wildness? What are we leaving for others? How do we address the suffering of most of the world’s people and living things? Will technology save us? Can we make sustainability fun?

I chose the complements orange (hot) and blue (cold) because they are opposites on the color wheel. The tension of a hot orb surrounding a cold and defined, but diffuse core is intended to be alarming and – like a target – catches our attention. I am using saplings, plywood, and dimensional lumber because I am attracted to the accessibility of these materials. The organic lines of the saplings are a feature I find particularly interesting. I like how each sapling is unique yet as a whole the ensemble reads as a precise circle. I have been using saplings in my pieces because they are a renewable material. These saplings are striped or moose maple. They came from a friend’s land that appreciated the thinning I did in selecting them.

Hope Wheels

 

The “Hope Wheels” are a simple way for folks to express what they love about what exists here and now. Perhaps by taking time to think about what one holds most dear, there is a chance that someone may be called to fight for the survival of that thing. Passersby – including many Middlebury students, faculty, staff and community members – were invited to write or draw on these strips of cloth the names of animals, plants, habitats, cultures, ecosystems, bodies of water, land forms, seasonal features, loved ones, shelter, food, heath, or anything else they valued about the community of life. In the same way that Buddhist Prayer Wheels spin prayers and good thoughts over the land, these Hope Wheels can be used in a similar way. They also can be used as processional elements in demonstrations or celebrations.

Participant Testimonials

“Having Jay on campus for two days was tremendous for Middlebury. The participatory art – Hope Wheels – created a coming together of students, faculty, staff and townspeople in a social and celebratory way. Those who created banners of gratitude for the Wheels were clearly having fun and being thoughtful and thankful at the same time.

Jay’s brightly colored sapling sculpture, Hot and Cold, which now hangs on the wall of our Franklin Environmental Studies building is strikingly beautiful and is loved by everyone I have spoken with. It fits the space perfectly, complements the wall and the surroundings, and adds color, texture and shapes that draw in the viewer. I see many people stop to enjoy and consider the artwork as they are passing by.

From the feedback I’ve received, our entire community is thankful for both Jay’s lasting creation and for the participatory, community art he developed for us. His artistic contributions to our Environmental Studies 50th Anniversary Celebration will long be remembered by those of us who took part in the creating, and Hot and Cold will be the most lasting part of the week-long event. Bringing in Jay and his art added to the community aspect of the anniversary and went well beyond what we had imagined!”

– Marc Lapin, Middlebury Environmental Studies Professor

“I love Hot and Cold because I feel like it adds light and color to an otherwise pretty banal wall. I’ve had a lot of people come tell me that they hope it is a permanent installation because it looks so beautiful – especially when the light hits it in the evening and the orange looks more brilliant than ever. I also notice that it complements the other art installation on that wall (the one of hills of recycled tires) and to me they come together to be like the mountains and the setting sun.

What I like about the Hope Wheels is that they’re a compilation of so many different peoples’ positive sentiments; each one is different, and from drawings of tree branches or sun and mountains to hundreds of scrawled words, the content of the strips really comes together nicely. It recently rained and some of the marker on the strips ran a little bit. Instead of detracting from the installation, it added more color to make the Hope Wheels even more striking.”

– Matia Whiting, Middlebury first year student

“I have actually heard from a lot of students that they love Hot and Cold and think that its color brings a lot of energy to the campus in a spot that so many students pass by each day. Personally, it brought me a lot of grounding energy the other day when I walked by it on a grey, dreary day. I think that the ephemerality of the piece, being made of saplings, is so fitting to the environmental studies program.

I also walked by the Hope Wheels yesterday and stood under them for a second reading what people had written. It was a great reminder on a campus that hardly takes time to think about what we’re grateful for or passionate about, that each person has a place or thing they love. It’s a reminder in a place that seems only focused on work that we’re all working towards something, and that those ideas are harmonious. I loved having the community contribute together to the piece. I saw students who weren’t artists contributing to something creative and people stepping out of their routines and looking up from their phones (sometimes) to take the time to write out a “hope.” The installation process was such a bright spot of creativity and hope on campus. I really hope that the administration leaves the disc piece there for as long as it survives in the weather. Overall, thanks for bringing all of that energy to campus.”

– Jenny Moffett, Middlebury fourth year student